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Universal Design for Learning and the Arts

UDL

Universal Design for Learning and the Arts is an asynchronous collection of modules that takes participants on a deep-dive into the instructional framework of Universal Design for Learning and its application in arts learning environments. Universal Design for Learning practices are applied to standards-aligned arts instruction. Universal Design for Learning and the Arts will require reading, listening to media, reflections, and drawing connections between the course and your day-to-day work.

 

This online course may be purchased for $400. It is comprised of 4 modules, plus Welcome, Introduction, Wrap-up, and Reflection sections. Register for this course at https://kec.memberclicks.net/udlasync

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Welcome and Introduction

 

Module 1: Learner Variability and the Expert Learner

  • Educators will understand the concept of learner variability and its implications for arts education.

  • Educators will understand the concept of the myth of the average learner and its implications for arts education.

  • Educators will understand the concept of the expert learner from the perspective of Universal Design for Learning and its implications for arts education.

  • Featured expert video presentation: Todd Rose

  • Featured educator video interview: Liz Byron

  • Featured expert video presentation: David Rose

 

Module 2: Principles of Universal Design for Learning

  • Educators will understand the principles of Universal Design for Learning.

  • Educators will begin to apply the principles of Universal Design for Learning to classroom settings.

  • Educators will understand the ways that the principles of Universal Design for Learning make learning more accessible for all students.

  • Featured video lesson: Eric Crouch, fifth grade teacher

  • Featured expert video interview: Rhianon Gutierrez

 

Module 3: Planning Lessons with Universal Design for Learning

  • Educators will be able to plan lessons and activities using Universal Design for Learning.

  • Educators will be able to apply Universal Design for Learning to their teaching practice.

  • Featured expert video interview: Linda Gerstle

 

Module 4: Universal Design for Learning in Arts Education Settings

  • Educators will be able to analyze teaching and learning in arts classrooms through the lens of Universal Design for Learning.

  • Educators will investigate opportunities that can be created by incorporating Universal Design for Learning into arts classrooms.

  • Featured video: Analysis of a second grade music class

 

Wrap-Up and Reflection

Introduction to Arts and Special Education

Intro Arts SPED

Introduction to Arts and Special Education is an asynchronous self-paced course that introduces participants to special education law and practice through the lens of arts education. Drawing on classroom examples—with valuable input from experts in the field—from across arts disciplines, the course offers productive and asset-based approaches for understanding, including, and engaging students with disabilities in arts settings.

Throughout this course, we will consider:

  1. Who are our students with disabilities? What are their unique needs, strengths, and legal rights in arts classrooms?

  2. What are ways to empower students with disabilities through assets-based practice? What are evidence-based strategies to address students' cognitive, sensorimotor, communication, and behavioral needs?

  3. How should arts teachers approach accommodations and modifications in their classrooms? How can they leverage no to low-cost solutions and the skills of adult aides to promote inclusion of students with disabilities?


 
This online course may be purchased for $400. It is comprised of 6 modules, plus Welcome, Introduction, Wrap-up, and Reflection sections. Register for this course at https://kec.memberclicks.net/introartsspedasync
 
 

Welcome and Getting Started

 

Module 1: Historical Foundations of the Arts and Special Education

This module establishes vocabulary used throughout the course. There are discussions of two primary models of disability and important considerations when talking about students with disability. It provides a brief history of disability rights as they related to special education and the arts and examines the role of arts therapies in this work.

  • Featured expert video interview: Antoine Hunter and Zahna Simon

  • Featured educator video interview: Hanna Lee

 

Module 2: Federal Law in Arts Classrooms

This module introduces the four main federal laws that impact students with disabilities and compares them in terms of eligibility, the protections they guarantee, and the way they function in arts classrooms.  A closer exploration of the Individuals with Disabilities Education Act is made and how Individualized Education Programs can be a resource in developing high quality arts instruction for students with disabilities.

  • Featured educator video interview: Suzanne Joyal

 

Module 3: Addressing Cognitive Functioning

This module explores cognitive skills, executive functioning, and how students with disabilities that impact their cognitive functioning might present in arts classrooms. Example student profiles are used as a foundation to discuss evidence-based instructional approaches that respond to student needs an support accessible content delivery in the arts.

  • Featured educator video interview: Jarred Sharar

  • Featured expert video interview: Portia Brown

 

Module 4: Supporting Students' Sensorimotor Needs

This module will help you think about the preferences, strengths, and challenges your students with disabilities bring to their arts learning.  Explore how students' sensory needs might present themselves in arts classrooms. Also discussed are physical and mobility disabilities and effective strategies to help students with disabilities that affect their sensory motor functioning access arts learning in a meaningful way.​

  • Featured expert video interview: Rebecca Pham

  • Featured expert video interview: Lauren Stichter

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Module 5: Responding to Communication and Behavior

This module explores the importance of communication in the arts classroom and student behavior as a form of communication. It discusses common functions of disruptive classroom behaviors, as well as respectful classroom management practices that respond directly to those functions with evidence-based strategies to support those students' needs.

  • Featured expert video interview: Kim Parker

  • Featured expert video interview: Lisa Pierce-Goldstein

 

Module 6: Accommodations and Modifications in Arts Learning

This module examines accommodations and modifications as instructional strategies for arts classrooms.  It includes a discussion about no- to low-cost adaptive tools that have proven effective in arts settings and explores practices for effectively collaborating with school-based practitioners.

  • Featured educator video interview: Gladys Pasapera

  • Featured educator video interview: Carmen Jenkins-Frazier

 

Wrap-Up and Final Reflection

Differentiated Instruction In and Through the Arts

DI

Differentiated Instruction In and Through the Arts is an asynchronous self-paced course that offers a deep-dive into the instructional framework of differentiated instruction and its application in arts learning environments. Differentiated instruction practices are applied to standards-aligned arts instruction (“in” the arts) as well as to arts-integrated settings that meet both arts and academic content standards (“through” the arts). The course has been built to invite that engagement through learner choices that differentiate based on professional settings, readiness for advanced content, and learning styles.

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Essential Questions

Throughout this course, we will consider:

  1. How does the framework of differentiated instruction support arts, general, and special educators in their efforts to meaningfully engage students with disabilities in standards-aligned instruction? What is the evidence that supports differentiated instruction?

  2. What are ways to leverage the practices of responding to student interest, readiness, and learning styles to differentiate arts learning goals, arts instruction, arts projects, and the classroom environment?

  3. How might arts integration offer arts, general, and special educators additional tools and supports to leverage when differentiating instruction?

  4. How do the aligned frameworks of arts integration and differentiated instruction work together to expand learning opportunities for students with disabilities in arts-based and arts-integrated settings?


 This online course may be purchased for $400. It is comprised of 4 modules, plus Welcome, Introduction, Wrap-up, and Reflection sections. Register for this course at https://kec.memberclicks.net/diasync
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Welcome and Getting Started
 
Module 1: What is Differentiated Instruction?

This module dives into the framework of differentiated instruction  and discusses how it provides a foundation from which to implement evidence-based practices in the classroom. It will address specific avenues through which to differentiate classrooms and how to ensure that students are active partners in their learning.

  • Featured educator video interview: Flavia Zuñiga-West

  • Featured expert video interview: Pamela Pritzker-Ridley

 
Module 2: Differentiated Instruction In the Arts

This module allows you to apply your understanding of differentiated instruction by exploring short student profiles and applying  what you have learned to an arts lesson of your choosing.

 
Module 3: What is Arts Integration?

This module explores the multiple definitions of arts integration and examines a particular approach to  teaching arts integration that can be a powerful tool in differentiated classrooms to increase students' engagement, activate their interests, and to offer multi-modal learning opportunities.

  • Featured expert video interview: Jeanette McCune

  • Featured expert video interview: Dr. Alida Anderson

 
Module 4: Differentiated Instruction Through the Arts

​This module allows you to apply your understanding of differentiated instruction that utilizes arts integration as an instructional strategy by exploring short student profiles and applying  what you have learned to an arts lesson of your choosing.

 
Wrap-Up and Final Reflection

Anti-Ableist Arts Ed

The Theory and Practice of Anti-Ableist Arts Education

The Theory and Practice of Anti-Ableist Arts Education is an asynchronous collection of modules that invites arts educators and administrators to consider what changes when our students’ disabilities are not just learning needs to design for but are also cultural identities to value in our classrooms. Throughout the course, we engage with historical work and thought-provoking readings (theory) that challenge our assumptions about disability and access. We also review concrete resources (practice) that suggest easy-to-implement strategies for meeting students’ needs in the classroom. Both are essential in anti-ableist teaching, which goes beyond integrating resources like accessibility checklists or adaptive tools—though these are useful starting points. This collection of modules provides educators, teaching artists, program administrators, and others with support in both efforts—unpacking concepts like ableism and anti-ableism, introducing ways to understand and design for disability in the classroom, exploring the history and work of disability justice, and providing concrete strategies and suggested arts exemplars for each of the major disciplines.

 

This online course is comprised of 15 modules that may be purchased individually for $75.00 each, or in discounted bundles. Purchase the complete bundle and receive a $100 discount.

 

Modules 1, 2, and 15 are our gift to you and are FREE with the purchase of any single module or bundle (a value of $225).

 

Pick the bundle that best suits your needs and register at kec.memberclicks.net/antiableistcourse

 

Module 1:  Setting the Stage for Anti-Ableist Arts Learning

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Module 2:  Foundations of Anti-Ableist Arts Education

This module defines and unpacks ableism as an oppressive system that impacts people with and without disabilities. We explore how ableism often shows up in schools, arts organizations, nonprofits, and society writ large. It also introduces a framework for anti-ableist arts pedagogy.

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Module 3:  The History and Practice of Disability Justice

This module introduces and unpacks the concept of disability justice. We go over the history of the first and second waves of the disability rights movement and differentiate between disability rights and disability justice as frameworks. Drawing on the work of disabled activists and artists, this module invites arts educators to consider the work of accessibility as a practice of love and solidarity with their disabled students.

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Module 4:  Models of Disability and Their Impact on Instruction

This module establishes disability as both an embodied experience and an identity. It challenges the idea that we can arrive at one, essential definition of disability as well as creating a single definition should be a goal. We unpack common definitions and ways of thinking about disability while exploring what each approach might mean for arts teaching.

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Module 5:  U.S. Special Education Law: What Arts Educators Need to Know

This module provides an introduction to the Individuals with Disabilities Education Act, unpacks the six core tenets of the law, and addresses what school- and community-based arts educators need to know about how the law affects their work. It also provides overviews of other laws that affect the arts learning of students with disabilities. We explore how these laws support disabled students and also where they fall short in efforts to enact disability justice.

 

Module 6:  Disability Art

This module introduces the Disability Art Movement and the concept of “disability aesthetics.” We explore the difference between Disability Art and art by artists with disabilities and discuss the importance of highlighting Disability Art in the classroom.

 

Module 7:  Teaching in Anti-Ableist Classrooms: Differentiated Instruction

This module explores the framework of differentiated instruction in relationship to anti-ableist practice. It suggests strategies for planning arts learning activities using Differentiated Instruction within an anti-ableist framework for instruction.

 

Module 8:  Teaching in Anti-Ableist Classrooms: Universal Design for Learning

This module explores the framework of Universal Design for Learning (UDL) in relationship to anti-ableist practice. It suggests strategies for planning learning activities using UDL within an anti-ableist framework for instruction.

 

Module 9:  Teaching in Anti-Ableist Classrooms: Adaptation, Accommodations, and Modifications

This module unpacks the definitions of adaptations, accommodations, and modifications to ensure that students with disabilities are appropriately supported in inclusive and separate classrooms. We contextualize adaptations within an anti-ableist framework to challenge the idea that accessibility “checklists” can fully meet students’ needs. This module provides instructional examples that span the arts disciplines.

 

Module 10:  Visual Art: Exemplars and Strategies

This module explores disability aesthetics in the visual arts and provides suggestions for integrating disability art into the anti-ableist visual art classroom. We deeply explore the work of Deaf artist Patti Durr in addition to discussing several other disabled visual artists whose work can enrich instruction. The module also provides participants with specific instructional strategies for supporting students with disabilities in visual arts education.

  • Featured artist video interview: Patti Durr

  • Featured educator video interview: Kristin Mohan

 

Module 11:  Drama: Exemplars and Strategies

This module explores disability aesthetics in drama and provides suggestions for integrating disability art into the anti-ableist theater classroom. We deeply explore the work of theatremaker Terri Lynne Hudson in addition to discussing several other disabled theater artists whose work can enrich instruction. The module also provides participants with specific instructional strategies for supporting students with disabilities in theater education.

  • Featured artist video interview: Terri Lynne Hudson

  • Featured educator video interview: Sofiya Cheyenne

 

Module 12:  Dance: Exemplars and Strategies

This module explores disability aesthetics in dance and provides suggestions for integrating disability art into the anti-ableist dance classroom. We deeply explore the work of dancer Alice Sheppard in addition to discussing several other disabled dancers and choreographers whose work can enrich instruction. The module also provides participants with specific instructional strategies for supporting students with disabilities in dance education.

  • Featured artist video interview: Alice Sheppard

  • Featured educator video interview: Elizabeth Staal

 

Module 13:  Music: Exemplars and Strategies

This module explores disability aesthetics in music and provides suggestions for integrating disability art into the anti-ableist music classroom. We deeply explore the work of musician Lachi in addition to discussing several other disabled musicians whose work can enrich instruction. The module also provides participants with specific instructional strategies for supporting students with disabilities in music education.

  • Featured artist video interview: Lachi

  • Featured educator video interview: Emma Gibbins

 

Module 14:  Anti-Ableism in Arts Education Leadership

This module explores considerations for anti-ableist program design, including administrative commitments as well as approaches for training teachers and teaching artists throughout their careers.

  • Featured panel video interview: Lachi, Erin Hoppe, Lauren Stichter, Hannah Wong

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Module 15:  Conclusion: Toward a More Just Arts Education
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